IN a rare example of serious opera being premiered at the Edinburgh Festival Fringe, and true to the festival spirit, Manifest Destiny tackles the most controversial current topic - the reasons for and motives behind suicide bombings.

The opera focuses on a young Palestinian poet's decision to become a bomber, and its aftermath.

As well as addressing the role of the US in the world, the conflict in the Middle East and the situation at Guantanamo Bay, its main female character, enraged by what she regards as injustice in her homeland and around the world, decides to end her life as a "martyr".

Dic Edwards, its author, yesterday admitted the work, with music by Keith Burstein, could prove controversial in the aftermath of the attacks in London, but said: "This is the first opera in existence to deal with these issues."

Manifest Destiny is at the St George's West venue run by the Assembly Theatre Company, from August 6 to 29.

Edwards and Burstein decided to make the opera after meeting through Artists Against the War, a group set up following the 9/11 attacks in the US and the conflict in Afghanistan.

Burstein is known for works which follow current affairs, writing a requiem for the victims of the Marchioness boat disaster on the Thames in 1989 and, in 1994, A Live Flame in honour of the late John Smith, MP, leader of the Labour party.